Becca Lemon
beccalemonfineart.com
I began working with clay thirty years ago, while I was exploring several different forms of artistic expression, including but not limited to writing, oil painting, photography, weaving, metalwork, and stained glass. At the time I was also studying architecture, so my free time was somewhat constrained. Ah, youth!
Eventually I realized that I would never get anywhere with any one of these arts if I tried to work with them all at the same time, and I gravitated toward clay as the one medium with which I could most easily express myself. Over time I abandoned all pretenses at wheel work and immersed myself in hand-building, and my work became more and more sculptural. The truth is, I couldn’t draw or shape a straight line if I tried.
I’ve always been very interested in mythology and folklore, and living in the Pacific Northwest I naturally developed a passion for the wild world that surrounds us. I began making masks inspired by the Green Man, symbol of life and nature, who is most often associated with Celtic lore but is actually reflected in ancient cultures all over the world.
My masks have, for the most part, lost their leaves and berries, but my intent to depict “spirits of nature” has remained… All it takes is an idea, an image, a problem to solve, and a new series of work begins. I guess that is why potters and clay artists never run out of possibilities.
Thanks for joining me on my journey!
beccalemonfineart.com
I began working with clay thirty years ago, while I was exploring several different forms of artistic expression, including but not limited to writing, oil painting, photography, weaving, metalwork, and stained glass. At the time I was also studying architecture, so my free time was somewhat constrained. Ah, youth!
Eventually I realized that I would never get anywhere with any one of these arts if I tried to work with them all at the same time, and I gravitated toward clay as the one medium with which I could most easily express myself. Over time I abandoned all pretenses at wheel work and immersed myself in hand-building, and my work became more and more sculptural. The truth is, I couldn’t draw or shape a straight line if I tried.
I’ve always been very interested in mythology and folklore, and living in the Pacific Northwest I naturally developed a passion for the wild world that surrounds us. I began making masks inspired by the Green Man, symbol of life and nature, who is most often associated with Celtic lore but is actually reflected in ancient cultures all over the world.
My masks have, for the most part, lost their leaves and berries, but my intent to depict “spirits of nature” has remained… All it takes is an idea, an image, a problem to solve, and a new series of work begins. I guess that is why potters and clay artists never run out of possibilities.
Thanks for joining me on my journey!
